Not a post about a Christmas cookie

This is a post about a community Christmas cookie.

***

Bear with me, and hello! Happiest of holiday seasons to you and yours!

And back to the aforementioned cookie…

It was Christmas Eve Eve, and I’d waited too long to secure anise seed, a necessary ingredient in my favorite Christmas cookie, one I make religiously, each and every year: German Springerle.

I visited four stores on my search for the elusive, black licorice-scented seed and found none. I lamented supply chain issues and the state of commerce in particular and the world in general. But not for long, because Christmas.

In a last ditch attempt to keep my cookie tradition alive, my husband suggested I ask for anise seed on our village’s FB page. Within the hour, I had offers of fennel seed and star anise–the latter of which I believed just might work.

Because this is not a baking blog (you’re welcome), I won’t bore you with the recipe–unless you want it (I don’t believe in secret recipes). But suffice it to say the cookie turned out great with the substitution. Yes, it takes a village.

You probably have your own community cookie story. Maybe it’s an actual cookie. Maybe it’s something a little more poignant.

As Epiphany approaches, the Wise Men in our nativity set inch closer to the scene. These smart guys (rightly) get a lot of press. They brought pretty important ingredients to that out-of-the-way stable.

Our nativity set also features some more colorful comers–a rough-looking fellow bringing a chicken and eggs; a woman bringing several loaves of bread balanced on her head; a drummer and a bagpiper bringing the tunes.

Me, I’ve been bringing the music, this year, my first full year as a cantor at my Catholic parish and for weddings and funerals. And this singing way of things has found its way into my home-life (working on a Von Trapp vibe over here!) and my writing-life. In my novel-in-progress I ask: Can our songs save us? And in my recent nonfiction, I try to bring my voice closer to my heart.

If you know me out on Twitter–land of snark–you’ll know that in addition to cookies, I am the one who brings the shrimp ring to a party. (My Midwestern child-self would be duly impressed.) Snark aside, I try to do my small part at a time when it seems we’re all pulled apart, party-less.

Because, we can’t make all the good stuff entirely on our own. It takes community.

Community is why I started this blog way back in 2017. And it’s why I will continue to hype the poets and writers and literary-scene-makers of the Rust Belt in 2022.

If you haven’t yet checked out some of my favorite posts of this year, I hope you will. Among them: my interview with former steelworker and memoirist Eliese Colette Goldbach, author of Rust; and my interview with poet and memoirist Robert Miltner, author of Ohio Apertures: A Lyric Memoir. Many, many thanks go to those on the answering end of my queries.

2021 Rust Belt Girl blog superlatives? I’ve got those! 3,232 visitors hailing from 78 countries–not bad for a blog that reveres the regional.

My most viewed post (once again) is my gush-fest about Amor Towles’ A Gentleman in Moscow. (Have you read his new novel? On my TBR.)

My review of Michigander Dawn Newton’s The Remnants of Summer came up second.

My most-viewed interview this year was that with Cleveland native poet Teri Ellen Cross Davis, whom I got to meet in person–and even break bread with–at Lit Youngstown’s Fall Literary Festival in October. A festival I helped to plan, along with so many other members of that literary community.

The literary world just recently lost Joan Didion. The places she wrote about and from are not my places. But she has a lot to teach us about writing about place. I’m taking this quote of hers into 2022 as inspiration:

A place belongs forever to whoever claims it hardest, remembers it most obsessively, wrenches it from itself, shapes it, renders it, loves it so radically that he remakes it in his image.

Joan Didion, The White Album, 1979

Whatever place you’re shaping, whatever community you belong to, thank you for being here.

All the best in 2022, stay well, and keep in touch!

Hankering for Rust Belt author interviews, book reviews, and more? Check out my categories above. I hope you’ll follow me here, if you don’t already, so you never miss a (quite infrequent) post. ~Rebecca

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A Strange Communion

From my second wedding–same groom
as the first. A story for another day.

The holy water font had brown cardboard over it–a haphazard lid to signal emptiness. The water had been drained from all the fonts at the church entrances but not the baptismal font. Not yet anyway; somebody said there was one baptism after Mass that morning. I saw the baby–rosy-cheeked in his mother’s arms–on my way out of church. My last Mass, maybe for all of Lent. My last time singing with the choir. I haven’t sung a note since, as if doing so would signal that this is the new normal: sad, bad impromptu soprano solos locked in my home office, dressed in my bathrobe, alone.

Gone was the singing in communion, the holy water, the hand-holding, and hand-shaking at the Sign of Peace. The next week, there would be no Mass at all. Should we shake some of our holy water around the house? My husband and I brought bottles home from Knock, Ireland, the only shrine I’ve ever visited, which we did for a day on our honeymoon, in between pubs and church ruins. We may have a bottle around still, though it might have gone moldy. We’ve been married 16 years as of yesterday. We got carry-out to celebrate, our first since we started playing keep-away from everybody we don’t live with, and it was wonderful. Every stranger-interaction–even picking up carry-out at a curb–seems imbued with a little holiness now, or grace, or gratitude in communing, however you like to see it.

Maybe I’d been spoiled by the choir voices around me, the Signs of Peace aplenty, a whole church full of, if not all friends, congregants–the whole of us choosing to be in the same place at the same time, for the same reason, more or less. I try to remember that it only takes two or three gathered in His name, but there is comfort in a crowd. In Longing for an Absent God: Faith and Doubt in Great American Fiction, a title that just keeps feeling more and more prescient, author Nick Ripatrazone says, simply: “Catholicism is a communal faith.”

In his book of essays, Ripatrazone unveils the role of Catholic storytelling in the American literary cannon. He takes the reader from Flannery O’Connor through Andre Dubus to living writers, like Cormac McCarthy, Alice McDermott–and Phil Klay (whom I’ve yet to read)–among others. Raised on the Mass, these writers share some sensibilities: the idea of faith in community, of liturgical seasons–rituals a comfort. Says Ripatrazone, “Catholics raised on a religion of mystery, image, smell, and song are particularly vulnerable to the pull of sentimentality.” Can me sentimental then.

Another modern novelist, Ann Patchett, has credited the Catholic faith for giving her “a boundless capacity for creativity and appreciation for metaphor.” If you’ve ever stepped foot in a Catholic church you can probably see that: everything is imbued with meaning. From Ripatrazone:

Catholicism is an assault on the senses. The thickly sweet smell of incense clouding a church. A finger dipped into the holy water fount; the almost otherworldly touch of it. The feel of a back against the hard pew…The Rise and refrain of hymns…the silence of prayer…the high drama of Lent.

It all means something, more than one thing. And certainly, there’s a performance aspect to the faith that isn’t lost on this Catholic kid raised on church and ballet–pretty much in equal measure. I recently, mistakenly, called the altar “the stage,” and it’s no wonder why. There’s the Mass’s “script,” with its accompanying ritualistic movements–very much body-centered–a reverential dance of signs and postures. There are “costumes” whose colors are filled with meaning. Right now, we’re penitential purple. Are we ever.

Which might be why that piece of ordinary brown cardboard over the drained holy water font bothered me so much–the lack of performance or ritual. Or, preparation. Ritual takes preparation, and none of us had any rehearsals for the effects of this pandemic.

So, my hope today is that we all lean into the rituals that provide us some comfort and connection–even if virtual.

What are you reading? How are you dealing? What rituals are you keeping or instilling in your household as you physically distance yourself from others?

Looking for a new author to read, a poet or memoirist? Check out my handy categories above, where you’ll find my writer interviews, book reviews, essays, writing advice, and more.

Let’s connect socially: find me on FB and @MoonRuark on Twitter