American Dreaming

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Another American bird, the osprey. Image courtesy of pixabay.com.

Lately, I’ve been American Dream-ing. My historical novel-in-progress interrogates the meaning of this term so overused as to be often scoffed at now, and questions what it means to be an American at peace, and at war on the Homefront. My short stories ask whether there is an American Dream to be found anymore in U.S. places defined by rust, and loss of industry, jobs, and people. Being a pessimistically optimistic Midwesterner by birth, I must say, um, yep.

Then there’s my own little dream, something like a lowercase american dream, not at all dire, to write: to dream on paper, I guess.

Recently, I ran across an interview with Crooked River Burning author and Ohio native Mark Winegardner, in which he talked about his start in writing as a journalist. The idea of being a “creative” writer was foreign and impractical, not done in his family and town–until, of course, he did it. Rust Belt Boy: Stories of an American Childhood author and Pennsylvania native Paul Hertneky said much the same thing. Practical doesn’t trade in dreams.

My (late) mom, a child of the 50s and early 60s (when one could put a finger on just what was meant by “American Dream”), was lucky enough to attend college–if unlucky enough to do so when the prevailing idea was to send a girl to college to land a husband. Still, her love of art and literature stuck (as did the husband), and, of course, it grew in me. I guess I’m propagating dreams through the generations here, tending and growing them. Sounds kinda like gardening, which she would have liked. Really, I’d rather just have her back.

Maybe I’m feeling melancholy with remembrance because it’s Memorial Day weekend here in America, a time of remembering dreams secured and dreams dashed. I know who this day is really for and will send up a prayer for them.

I know I shouldn’t take for granted the freedoms we have–freedom to feel melancholy, to trade in the impractical, to dream on paper. I sometimes imagine living in a place where hitting “Publish” is truly terrifying, not trivially terrifying.

Luck has followed me to my own little spot in America, where my complaints are few.

Oh OK, here’s one, since you didn’t ask: these springtime days I am awakened from my real dreaming just around 5:40am by the loud, screeching calls of our favorite local raptors, the osprey, or fish hawk. First world problem, I know. They are beautiful and majestic, I have to groggily remind myself, like another American bird we know. And so I try to fall back to sleep and weave the call into my dreams for when I turn to writing it all down at a suitable hour.

So, while my characters are parsing “American Dream” so am I, in the America of our past, present, and future. Whether you are American or not, I’d love to know how you define the term.

I’m guessing there are as many different definitions as there are those to do the dreaming. The term is interrogated in a recent feature article (with fantastic b&w photography) on Bloomberg.com: “Why Do Americans Stay When Their Town Has No Future?” The gist of the piece: “Family and community are the only things left in Adams County, Ohio, as the coal-fired power plants abandon ship and the government shrugs.” Best quote:

“‘The American dream is kind of to stay close to your family, do well, and let your kids grow up around your parents,’ he says. It was a striking comment: Not that long ago, the American dream more often meant something quite different, about achieving mobility—about moving up, even if that meant moving out.”

What’s yours?

 

 

 

Rust Belt Girl roundup

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Writing advice with a “twist,” love on fire in Cleveland, and zombie raccoons, oh my!

It was a busy week here at Rust Belt Girl. In case you missed it:

I joined NPR and other credible news outlets in reporting the “zombie” raccoons of Youngstown, Ohio.

I reviewed Mark Winegardner’s 2001 masterpiece, Crooked River Burning, which follows two star-crossed lovers on a journey through Cleveland in the 50s and 60s.

Of course, what week would be complete without a little writerly advice, this time with a “twist,” for National Licorice Day?

And…I’m happy to report that I’m still welcoming new followers who found me by way of my Interview with “Furnishing Eternity” author David Giffels, which was featured on WordPress Discover March 31. See it, and so many other blogs worth your time, here. Always fun to discover something new.

Happy weekend discovering to you!

What’s on your literary plate?

~ Rebecca

*Free image courtesy of Pixabay.com

 

 

 

Love in Cleveland: a story-review of CROOKED RIVER BURNING

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There’s something special about a love story set in the time and place one’s parents fell in love.

Paris? London? Niagara Falls? Nope. I’m talking about Cleveland, Ohio.

The real love story (that eventually begat me and my siblings) started with a blind date. Here goes: the young man who would become my dad met the young woman who would become my mom at her apartment door. Her first words to him: “You’re not as bald as they said you were.” Ah, romance. Long story short, she liked his car, a racing-green Austin Healey convertible, and him too, no doubt.

Crooked River Burning*, a novel by Mark Winegardner, explores parallel love stories—between a boy from Cleveland’s West Side and a girl from Cleveland’s East Side (read: upstart vs. old money); and between the people of Cleveland and their city itself.

From the book jacket:

In 1948 Cleveland was America’s sixth biggest city; by 1969 [the year my parents married] it was the twelfth…In the summer of 1948, fourteen-year-old David Zielinsky can look forward to a job at the docks. Anne O’Connor, at twelve, is the apple of her political boss father’s eye. David and Anne will meet—and fall in love—four years later, and for the next twenty years this pair will be reluctantly star-crossed lovers in a troubled and turbulent country.

The city of Cleveland is a microcosm of this changing country. The author gives the reader a window into organized crime in the 40s, when we meet real-life Clevelander Eliot Ness; into the 50s rock and roll scene starring disc jockey Alan Freed; and into the race riots of the 60s, when we meet Carl Stokes, the first black mayor of a major U.S. city.

For sports fans (Winegardner is also the author of The Veracruz Blues about baseball), there are stories plenty about the Indians and the Browns (with Art Modell cast as the Machiavellian villain he was, IMO.) Masterfully blending fact (replete with entertaining footnotes) and fiction, this novel is comparable to the works of E.L. Doctorow. Where Doctorow explored New York, Winegardner explores Cleveland.

Does Winegardner know Cleveland! One of my favorite Cleveland bits—and never more appropriate than now, as we endure “wet-winter” into April:

“In Cleveland there is no spring. In Cleveland there is winter, then a wetter-meaner sort of winter…Then one day winter/wet-winter ends and, bingo-bango, it’s summertime.”

But why talk weather when we can talk love? Wingardner on love:

“A person can be in love with the idea of love. A person can fall in love with the idea of another person. Less commonly, a person can fall in love with another person.

In fact, a person always falls in love with the idea of another person, not the person. Falling in love with the actual person takes time and too much honesty…

Some people luck out. The thing they’ve been calling love turns out to be just that. Such people exist. Film at eleven.”

Oh, you were looking for love between David and Anne? I’m not spoiling much when I tell you that the most romantic setting in the book, a snowy New York at Christmastime in a posh hotel suite, and Anne is down with the flu. On the other extreme, the setting of the Cuyahoga (“crooked”) River on fire finds our protagonists in, well, love as real as it gets.

Is the book perfect? Not quite. For me, some of the real-life Cleveland profile sections ran a little long: among them, Mayor Carl Stokes, Cleveland newspaper editor Louie Seltzer, maybe-murderer Dr. Sam Sheppard, pioneer news broadcaster Dorothy Fuldheim. Still, this book will find a place on my bookshelves, alongside Ian McEwan’s The Innocent, perhaps, for its mastery of a real time and place in history overlaid with a timeless love story and for a lyrical yet playful use of language.

But back to our fictional lovers…through their twenties and thirties, David and Anne attempt to make their childhood professional dreams (Cleveland mayor, and war correspondent, respectively) come true. But, like thwarted love stories talk of ships passing, most of us don’t become our childhood heroes.

If the real Cleveland love story—starring my dad and my mom—could have met the imagined one starring David and Anne, they would have come together in the late 60s. Both couples were in love as the real city burned its land and its water. The Cuyahoga River burned (helping to create the Clean Water Act); and the Hough Riots, among the first of the 1960s race riots, turned Clevelanders against their neighbors and even against themselves.

Like many Clevelanders who could, my parents left the city for a house in the country, where they would raise a few chickens and ducks, a goat named Esmeralda, and three human kids. In trading one setting for another, I’m sure they’d say they gained more than they lost. I wonder about those who didn’t leave.

Did Winegardner intend for this dual love story to be a cautionary tale? In 2018, one could read the book that way—especially through the lens of race. One of the most chilling parts of the book comes from Anne’s perspective. It’s a month after the riots, and Anne is questioning everything in her life and in her city:

“Human beings don’t destroy their own homes, do they? In Anne’s experience, they do…Rome burns. Has burned, is burning, always will be burning. Look harder. Smell it. It’s not Rome we’re talking about, sport. (Who knows but on the lower frequencies, Cleveland burns for you?) Yet you sit there. We sit there. Don’t move.”

My rating: 4.5 stars

What’s the best book you’ve read about your hometown? If you were going to write your own love story, where would you set it?

*Published in 2001 by Mariner Books (576 pages). Yep, I’m late to the party.

Like this review? Check out my “reviews” category above for more.

Thanks! ~ Rebecca

 

 

 

 

 

Today’s library haul

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Yep, this pic is backwards–just testing your eyesight.

That’s…

one well-loved copy of The Boys of My Youth (by now a veritable classic among modern story collections) by Jo Ann Beard, author of the novel In Zanesville, which I reviewed here last year.

Mothers, Tell Your Daughters, a story collection by National Book Award finalist Bonnie Jo Campbell, queen of rural noir–if you’re asking me. I touch on her collection, American Salvage, here. Prefer novels? Campbell’s Once Upon a River is a nearly perfect little gem set in rural Michigan. Sorta rural rust.

Touted as a “masterful saga” of the “conflicted city” of Cleveland, Ohio, is Mark Winegardner’s Crooked River Burning. Can’t believe I haven’t read this one yet. The front material for the novel includes:

Cleveland city of light, city of magic,

Cleveland, city of light, you’re callin’ me.

Cleveland, even now I can remember

’Cause the Cuyahoga River

Goes smokin’ through my dreams.

                                    —Randy Newman, “Burn On”

 

What’s in your to-read pile?