“Where are we sending them? Where are they going?” A photo re-blog from A Prayer Like Gravity

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Image from A Prayer Like Gravity

These photos from A Prayer Like Gravity stirred me nearly to tears:

Where are we sending them? Where are they going?

I suppose there’s always been a certain amount of fear around kids at school. There’s the letting go, the separation from family and home. For me, this means a willful disentanglement of my heart from my kids’, as I drop them off at school every day. There’s no drama, no tears–it’s a wonderful school–but I do have to tamp down my mother love, or else I’d never let them go.

Author Elizabeth Stone said:

Making the decision to have a child…is to decide forever to have your heart go walking outside your body.

She was right. So my little hearts leave my sight to beat and grow, and I have to remind myself it’s been eight years since we were skin to skin in the hospital at their birth. They are in their own skins now; they don’t need my mother heat like that.

They are strong. I tell myself this when they come home telling me–so nonchalantly–about lock down drills.

I don’t remember lock down drills in elementary school. I remember tornado drills, my knees pressed against the painted cement block walls of the hallway outside our classroom, my body curled like a potato bug, one in a long line of kids, our hands over the napes of our necks. I remember the Space Shuttle Challenger Disaster in fifth grade; when I returned home from school my mom was crying while folding laundry in the basement.

I wonder if my kids will associate school with fear or if, instead, they’ll think of my hand taking theirs and squeezing it before they tumble out of the car each morning, looking like mini sherpas with their packs and bags. I hope that’s all the burden they’ll ever have to carry.

Thanks to A Prayer Like Gravity for these photos:

via Where are we sending them? Where are they going?

Name your bliss

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Is it weird to mourn your mom on Valentine’s Day—with the holiday’s declarations of love, its overtures and SWAKs? This is love stuff, yes, but this is also word stuff.

In the dozen years since my mom left this life, I’ve become more fluent in the language of loss—and of life. Do not pity this post. I happily speak for me and her now, tell her stories to my kids who never knew her, keep her voice alive in mine.

This is mother-love, reborn, but it’s also language-love. Foreign at first and then familiar—even taken for granted—and all the more cherished when it’s gone.

Who among us writers doesn’t ascribe to “show don’t tell?” We illustrate and demonstrate; we craft a tactile scene. But let’s not forget to tell, while we have a voice to do it.

Did you see this coming?

Call your mom. (Or dad or kid or other love.)

Really, I can’t close without sharing some of the language I love most at the moment. If my mom were still alive, I would call her and read aloud this following passage. It’s from Michigan writer Bonnie Jo Campbell’s story collection, Mothers, Tell Your Daughters.

In The New Midwest, author and critic Mark Athitakis says Campbell’s stories “operate as both reportage and intimate human portraiture.” It’s this combination of stark tale and depth of character that draws me to Campbell’s work. But a well-turned phrase certainly doesn’t hurt. Try this on for size, this Valentine’s Day:

From Campbell’s story, “My Bliss”:

First I married the breakfast cereal in its small cardboard chapel, wax-coated, into which I poured milk. Then I married a cigarette, for the gauzy way the air hung around us when we were together, then a stone, because I thought he was a brick or a block, something I could use to build a home.

From my home to yours, wishing you a Happy Valentine’s, a Good Lent, and bliss in love and language, every day.