Agent query letter purgatory

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…because “hell” seemed a little strong.

What’s up?

Months ago, I announced that it was time for me to dive into the process of seeking literary representation (an agent) for my WIP, a historical novel manuscript.

I was ready. However, my manuscript wasn’t…quite. (And you only get one chance to make a good impression–or any impression at all–on an agent.) So, revise revise revise, and I have come out the other side knowing that now is–really–the time.

I talked here before about the steps required to prepare for this journey. Step 1 is knowing what to “pack” for the publishing road ahead, with agent query letter as “passport.” Step 2 involves putting myself in an agent’s shoes. What might he/she want of me besides a manuscript? Step 3 will involve compiling a list of agent who might be a good fit (stay tuned…).

Today: I’m in query letter purgatory. It’s not hell, really. We writers write and we write about writing, and so to get to write about our own writing is kinda neat–if tasking, and requiring a good bit of objectivity. Some say the query letter is tougher to write than the novel (a bit of an exaggeration, but still valid): As in, boil down an 85,000-word story into a 150 word synopsis. Oh sure, no problem. It certainly can’t hurt to start with a fantastic first line (or “hook”).

And here’s another couple pieces that I’m using to spit-shine my agent query letter:

Successful Query Letter with Lots of Tips by Erin Beaty on Kathy Temean’s wonderful blog Writing and Illustrating

How to Polish Your Query Letter for a Professional Shine on the Writer’s Relief site

All you writers out there, ever written an agent query letter? How’d it go?

When I’m not working on my query letter, I’m reading novels I could use as comparisons to mine. Right now it’s Lilac Girls about the Ravensbruck women’s concentration camp, which isn’t a close enough fit, but I’m enjoying it.

What are you writing and reading this week? Like this publishing talk? There’s a category for that at the top of my site.

 

 

a bit of writerly advice… for National Licorice Day

It’s like driving a car at night. You never see further than your headlights, but you can make the whole trip that way.E.L. Doctorow, novelist, essayist and professor best known for his works of historical fiction (who also maybe adored licorice).

Yep, doing something new here: A little writing advice chased by a little trivia (with a dash of speculation).

The headlights writing advice was provided to me (in response to my novel manuscript) by a former writing instructor and current friend, David L. Robbins, who has written about a million historical novels at this point. (Don’t know if he’s a licorice fan, but I’ll inquire.)

Why that advice?

Because, I admit it, I am a lover of the flashback. Sometimes called an analepsis (but not by me), a flashback is an interjected scene that takes the reader to a time before the current action. You know, backstory.

I’m a lover of the flashback within a flashback. (Though I know this is terribly wrong and something for which I should flog my writerly self.) Here we’re interrupting the forward moving action to talk about something in the past and then interrupting that something to talk about another past something. Whew!

And, heck, while we’re here, what’s wrong with a little flash-forward now and then?

What did Doctorow know?

A lot.

Sometimes the problem is we didn’t start the story in the right spot. If we’re constantly looking back, maybe that’s where the story should start. (Looking forward? Maybe we started too early in time.) Just don’t fall into the trap of turning backstory into dialogue for characters to deliver. Too much “remember the time…?” reads false.

So, in my novel-in-progress I killed my prologue because it took place years before the current action (and it was a prologue); and I’m doing my darnedest to drive by my headlights.

Do I promise to use no flashbacks, no flash-forwards?

No. Moderation in all things, as the Greeks said…those Greeks who called licorice “sweet root.” Did you think I’d forgotten what day it is?

Officially a weed, licorice has been prized for its health benefits for thousands of years, and is even said to have properties that may slow the effects of aging on the brain.

So, maybe have a piece of licorice to stimulate your writerly brain, turn on those headlights and get back to work.

I am…

 

 

 

 

Hold up, wait a minute: Rust Belt Girl on ice

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Lake Erie, iced. One of the Lake Erie Islands (Green Island), is in the distance. (Thanks for the pic, Dad!)

Hold up, wait a minute. Hold up, wait a minute…

Nope, you haven’t stumbled on a 90s music blog (but if you now have that old club song in your head, you’re welcome!)

Here at Rust Belt Girl, I promised a new thread this new year: a journey into the terrifying abyss that is the world of book publishing. That’s agent querying, novel synopses, novel submitting, etc.

How’s it going so far?

Um. Yeah, that.

Let’s just say, like so much of the Rust Belt at present, this Rust Belt Girl is on ice–at least as far as that project.

What happened?

Shall I add another metaphor into the mix? Well, I got the cart before the horse (ie: the agent query letter, synopsis, etc.) before the manuscript itself. And, really, the horse is a little bit lame. Not so much that it has to be put down or even put out to pasture. (Yep, I’m just running with this metaphor.) But maybe re-shod, rested, exercised–certainly made stronger. Race horse strong.

Who says?

A former writing teacher of mine, an author and editor whose feedback I trust wholeheartedly.

What now?

Thaw out? Get back on the horse? (Can I stop talking about ice and horses?)

Really though, I’m revising my novel manuscript (yet again) because I only get one chance with agents, and I don’t want to blow it. I’m really trying to “re-see” this story that’s been with me for years; these characters that I’ve known longer than I’ve known my own kids, which is a little crazy. It’s not an easy task to really re-envision an 86,000-word manuscript, and so I can’t rush it.

“Time is a great editor,” said my editor friend.

So, bear with me if this thread takes its time.

I mean, there’s an order to things–like seasons and horse-drawn things, right?

In the meantime, more writing advice I pick up from experts along my way; more reading (and emulating!) great books; more author interviews.

And…in the publishing vein, more submitting short stories to journals and magazines. Keep your fingers crossed (and frost-bite free) for me.

Happy weekend! What’s on tap for yours? ~ Rebecca

 

 

 

 

 

 

 

 

Step 2: Reviewing the publishing road map

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Call it cold feet.

Nah, let’s call it, being truly prepared. Here at Rust Belt Girl, I’m documenting my journey into the frightening abyss that is traditional publishing. Only I haven’t set off just yet.

Here’s the deal: right now, I’m preparing to query literary agents about my completed behemoth 86,000-word novel manuscript. Only, there are steps I must take first. Or else I ruin my one-and-only chance with agents: professionals who don’t take kindly to, “just kidding” or “no, really, this is my finished manuscript” emails.

In Step 1, I covered the all-important agent query letter, which is like a passport that introduces the agent to the book (with a brief synopsis) and to the author (with a list of credentials.)

For Step 2, here I (optimistically) look toward the road ahead, which hopefully includes hearing back from at least one of the agents I query. In stalling planning, I reviewed a few old emails from writer-friends who were in the position I hope to be in soon.

One of these writer-friends received a request from an agent to read his entire manuscript, which the agent did. Her feedback on the novel manuscript was largely positive.

Then…she sent my writer-friend some questions. I will paraphrase the questions here, as I think they provide a window into the thought process of the agent.

Me, the writer, I’m thinking of securing an agent as an end–a conclusion to years of writing and revising and editing and rewriting. For the agent, signing a writer is only the beginning of the journey. As such, the agent asks the writer:

  1. Provide all your writing credentials in detail, including previous publications, short stories, screenplay writing, etc.
  2. List authors that you think have a style or write in a genre comparable to yours.
  3. Is there anything you could do to help promote your book, for instance contacts or friends who are writers and could provide blurbs, friends who could review, people you could leverage?
  4. Do you blog or have a following on Twitter, Facebook, or another social media platform?

Could I answer those questions? Mostly, I think I could.

  1. I’ve got some credentials under my belt, including a couple short stories published fairly recently.
  2. Here’s where I have to forget my humility. Genre- and subject-wise, my book compares to Snow Falling on Cedars, The Master Butchers’ Singing Club, and (more recently) Hotel on the Corner of Bitter and Sweet. Language- and subject-wise, my writing in general compares to Alice McDermott’s. (Of course if I were to meet any of these authors, I would faint straight away!)
  3. Thanks to this blog–and the writers I’ve met “reading and writing the Rust Belt”–I do think I could wrangle up a blurb or two, something I couldn’t have said last year at this time.
  4. And, why YES, I blog (thanks to you, followers). Yes, I’m on Facebook. A major following–not yet. But stay tuned…

What do you think of the agent’s questions? Does this make the road ahead for us would-be published authors appear any clearer? Are there any questions you’d add, if you were in an agent’s shoes?

 

 

 

 

 

Step 1: What to pack for a trip into the novel-publishing abyss?

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free image courtesy of Pixabay.com

Into the book publishing abyss I go!

Okay, abyss travel takes a bit of preparation, so consider me packing my most necessary items.

What is this abyss? In my 2017 wrap-up/2018 resolutions post, I wrote about journeying into the abyss that is querying literary agents to represent my historical novel manuscript.

Why the trepidation? Because novelists I know spent years querying agents before receiving a reply email–much less a contract.

(And then there’s ego. There’s the fact that my novel manuscript is my first child–born before my human children. It has changed a lot through the years, gone through growing pains (and novel workshops and beta readers and many revisions and edits); but the germ of the story has stayed the same, and it’s mine and–I freely admit–I still love it.)

I love this baby enough to send it out into the world–to be tested and judged.

Why not self-publish? Because I know enough about myself–this self who only entered the world of social media in 2017–to know it’s not for me.

So I must pack for my trip into the publishing abyss, and I hope you’ll come with me! (These posts will be found all in one place on my newly-reorganized blog. Categories: publishing.)

What to pack?

The novel manuscript is raring to go. Only, agents are very busy people who don’t take kindly to 80,000 words landing on their desks. (Go figure.) So, they require a kind of passport:

That passport is the agent query letter. Whether sent through snail mail or email, the agent query is the most important thing I’ll ever write. Really.

This how-to article sums up the agent query letter’s importance nicely:

“A query letter is a one-page letter sent to literary agents in an effort to get them excited about your book. You have one page and 300 words (or less) to woo a literary agent into falling in love with your story and then requesting your manuscript.”

See? Trepidation!

I’m still editing my agent query letter–whittling it down from a hulking 330 words. EVERY WORD COUNTS.

My hook:

In the vein of Snow Falling on Cedars, LOW HEAVEN is a completed 86,000-word historical novel that explores loyalty to family, friends, and faith and what it means to be an American, through the untold story of the exclusion and internment of Italians in America during World War II.*

What do you think? Like it? Hate it? (I can take it.) Comment at will!

More to come. Stay tuned to the journey…

 

*Goes without saying, since we’re friends here, but all my writing at Rust Belt Girl is protected intellectual (even if it doesn’t sound like it) property. Thanks. ~ Rebecca

 

 

 

 

 

 

 

 

“A Partridge in a Blog Tree”: a 2017 sing-song wrap-up and 2018 tease

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Image courtesy https://blog.cheapism.com/where-to-see-new-years-eve-fireworks-15226/

“On the fifth day of Christmas, my true self gave to me…one healthy kick in the pants.”

Is that right? Are we already on the fifth day? I’m still languishing in a sugar cookie stupor. Still digging out from leftover potatoes au gratin. Still trying to convince my family of the legitimacy of stale crackers and cheese rinds as a basic food group.

Sure, I will disconnect the sugar IV, menu plan, and get back to the proper care and feeding of my brood. I might even exercise. I will resolve! But it’ll probably be next month–which is next year.

In the meandering meantime, I will look back on the 2017 fun we’ve had here at Rust Belt Girl, you and me, thanks to inspiration from my native Rust Belt and its storytellers keeping it real.

Sing along to the tune of “The Twelve Days of Christmas” if you like.

In my first month of blogging, my Rust Belt gave to me

a blog borne from necessity (I didn’t say the cadence would be right)

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