My interview with photographer and author Johnny Joo

I’m so thrilled to present this interview with Johnny Joo, a fellow Northeast Ohio native, whose photography* I’ve featured at the blog before. But this time, we get the stories behind the lens…

Johnny Joo is an internationally accredited artist, most notably recognized for his photography of abandoned architecture and surrealistic digital compositions. Growing up sandwiched between the urban cityscape of Cleveland and boundless fields of rural Northeast Ohio provided Johnny with a front row ticket to a specialized cycle of abandonment, destruction, and nature’s reclamation of countless structures. Since he started, his art has expanded, including the publication of four books, music, spoken word poetry, art installations, and videography.

Johnny, how did you first get into photography–and abandonment photography in particular?

I was an art student in high school, and photography was another art class I could take, so I took it to fill space with as much art stuff as I could–not thinking that I would like it as much as I did. I got super interested in the whole science behind it and being able to capture a moment in time that would not happen again. For one of the first projects, I photographed some empty rooms in the high school, and also photographed an old farm house. It reminded me of Silent Hill and other horror games and movies I enjoyed.

I thought it was a great subject for photos, and I loved the way nature wore it down to create something so dark and eerie, yet calm and beautiful. That’s the film photo of the empty class room [above]. I gave the rest of my film and binder to my photography teacher, so I don’t have anything else, but I did keep my favorite photo–and it’s the first photo I developed successfully.

I just kept photographing any abandoned or creepy historic place I could find (along with EVERYTHING else) and started sifting through papers in some of the old buildings and found so much history left behind.

I thought it was interesting to piece a life and history together–being able to know so much without ever having known any of the people beforehand.

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From Architectural Afterlife: “This Cleveland Church has Sat Abandoned for 27 Years”

Interior of Nativity of the Blessed Virgin Mary Roman Catholic Church in Cleveland, Ohio. Photo and story credit: Johnny Joo, architecturalafterlife.com

Maybe old buildings are in my blood. For forty years, my dad worked as a draftsman and designer for structural engineering firms, drawing up plans by hand. On trips into Cleveland for the art museum or bagels, Dad would point out the buildings he’d had a hand in. His job: ensuring they would stay standing.

So, it feels like a personal affront to watch buildings–especially beautiful historic places–go to ruin, abandoned.

I’ve talked on the blog before about “Ruin Porn,” a type of photography that glorifies falling-down structures, often in post-industrial places, like my native Cleveland. I’ve said before, that to me Ruin Porn looks like the American Dream on its knees with no dreamer in the scene. (I wrote a three-part essay you can read here, here, and here.) So, what do we do? How to salvage falling-down places?

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Revisiting summers past through the abandonment photography of Johnny Joo

Geauga Lake image_Johnny Joo
This and all images in this post are by Johnny Joo at architecturalafterlife.com.

Go ahead and call it nostalgia. Or rose-colored glasses, cockeyed Midwestern optimism, or plain delusion. (Or, as snow remains in the forecast well into April here in my adopted southern home, call it willful reversion.) Whatever.

I dream of childhood summers in Ohio.

Summer, especially, felt like a gift from the heavens after enduring a frigid (Daily Prompt) winter in the Snowbelt and a five-minute spring that brought little more than a white Easter, a lackluster Maple Festival, and mud.

Summer, glorious, oblivious 1980s summer brought us SeaWorld.

Yep, that SeaWorld–not in California or Florida but in Ohio. No joke. The smallest of the SeaWorld parks, at 50 acres, SeaWorld Ohio opened in 1970 and was located on Geauga Lake, where 1950s-esque good-guy-gets-the-girl acts were performed atop pyramids of water-skiers. (How I wanted to be one of those girls!) Then there were the animals: the sea lions show, the jumping dolphins, the otters who were made to “talk” with piped-in chipmunk voices. The shark and penguin encounters. And, of course, the stars: Shamu and Mamu, the killer whales.

This was long before your average theme park attendee called them orcas or gave a thought to the health and socialization of large animals in captivity. Zoos still thrived; the circus hadn’t died.

By 2004, SeaWorld Ohio was basically abandoned. You can view eerie before and after photos taken by former SeaWorld Ohio animal trainer Nico Maragos.

More of a thrill-seeker? Geauga Lake amusement park was right across the lake from SeaWorld’s water-ski shows and called to us with her skyline of roller coasters. Ohio-based photographer Johnny Joo has captured stunning images of the theme park (like the one at the top of this post), which closed in 2007.

Here’s a couple more:

See them all via The Abandoned Geauga Lake pre-demolition

I’ve included Rust Belt photography on my blog before, but Joo covers not only abandoned places of work but of play.

I’ve also railed against abandonment photography, sometimes called ruin porn, for forgetting the people the places left behind. (Of course many of us did leave these places behind, in droves, often for warmer climes.) Still, Joo’s mission is exactly the opposite for his blog Architectural Afterlife: Preserving History Through Imagery. I hope you’ll check it out.

Are you a Rust Belt photographer with images to share? Let me know! Just summer-dreaming?

Post a comment here or on my FB page.

Part 2 of “‘Ruin Porn’ to Rust Belt beauty: her place in resurrecting the American Dream in the Belt”

architecture-1639990_640
Another pretty awesome photograph by Michael Gaida via Pixabay

The term “American Dream” has been so overused as to lose its meaning. Researching for my novel-in-progress, a story set just before WWII, I found Made In America: Self-Styled Success from Horatio Alger to Oprah Winfrey, in which author Jeffrey Louis Decker gives some background on the oft-used phrase:

The term [American Dream] was not put into print until 1931, when middle-brow historian James Truslow Adams coined it and used it throughout the pages of a book titled The Epic of America. The American Dream is to be understood as an ethical doctrine that is symptomatic of a crisis in national identity during the thirties. The newly invented dream calls out for a supplement to the outmoded narrative uplift, which had lost its moral capacity to guide the nation during the Depression.

So, out of extreme poverty and ruin, the collective American Dream was borne.

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