I spent the loveliest Sunday celebrating St. Patrick’s Day–my own way. After Mass and brunch at a Greek restaurant, I found the sunniest spot on my porch, enjoyed a Bailey’s, and started in on this week’s tandem read: Pulitzer-prize winning (Cleveland, OH, native) Anthony Doerr‘s memoir, Four Seasons in Rome: On Twins, Insomnia, and the Biggest Funeral in the History of the World and art historian and travel writer Laura Morelli‘s debut novel, The Gondola Maker.
Do you do much tandem reading?
Tandem reading provides many such textual mirrors and prisms. I highly recommend it.Writer and Book-seller Michael Berger
This book pairing is pretty obvious: both are set in Italy (the first in the 2000s Rome; the second in 16th-century Venice), with all the inherent romance an Italian setting prescribes–from fine literature, art, and architecture to finely-honed craft and familial trades passed down through the generations. And there will be your standard romance to come–more in Morelli’s tale, I’m afraid, than in Doerr’s memoir. (Like Doerr, I suffered from sleepless nights due to twin boys, only not in Rome.)
What’s 400 years between stories? I’m enjoying the tandem view of Italy spanning centuries, geography, and outlooks.
So far, I’d recommend both books.
With humor and his trademark attention to detail, Doerr chronicles his family’s year in Rome, where he begins work on his novel ALL THE LIGHT WE CANNOT SEE–when he’s not distracted by the writing of Pliny, the Elder; struggling with his Italian phrasebook; or carting his twin babies around an ancient city not meant for hulking twin strollers.
My favorite excerpt so far:
Jet lag is a dryness in the eyes, a loose wire in the spine. Wake up in Boise, go to bed in Rome. The city is a field of shadows beyond the terrace railing. The bones of Keats and Raphael and St. Peter molder somewhere out there. The pope dreams a half mile away. Owen blinks up at me, mouth open, a crease in his forehead, as though his soul is still somewhere over the Atlantic, trying to catch up with the rest of him.
In The Gondola Maker, Morelli’s expert research makes Venice more than a vibrant backdrop but a fully-fleshed-out character among the cast of this historical coming-of-age novel. I find her description of the craft and trades surrounding gondolas fascinating. (I’m eager to read her latest novel, The Painter’s Apprentice.)
My favorite passage so far:
I begin to absorb the unspoken language of Venetian boatmen, a complex set of hand gestures this cadre of men has developed over generations to communicate silently to one another across the water. Some of the signals are easy to divine: twirling fingers for “Let’s met for a plate of pasta at the midday meal” or a left thumb over the right shoulder for “incoming tide.”
Communication–through language spoken and unspoken–is another bright thread that binds these two books and makes this tandem read interesting and relevant to my writing right now. Tomorrow, I head to a writers retreat where I will continue working on my latest project, a multi-generational novel, featuring, among other related characters, a young woman who is losing her hearing–and must gain the ability to communicate in new ways. (Best advice to bear the long wait after querying agents about the first novel? Work on the second!)
Quick shout-out to my new followers who found this blog by way of my second WordPress Discover feature, My interview with Ohio Poet Laureate Dave Lucas. And thank you for getting me past the 1,000 follower mark!
With other interviews, as well as book reviews, story excerpts, essays, and other musings on reading and writing the Rust Belt (and beyond), I hope you’ll stick around. See my categories above for more.
Now, it’s your turn. Are you a serial monogamist when it comes to reading books? Or, are you a tandem- or poly-reader? If so, what’s been your favorite tandem read so far? Comment away! I always respond.